Here’s some very quick thoughts on issues 1 & 2 of Tom King’s Batman Rebirth book. I’ve not been a regular bat-reader for quite some time, but after the brilliance of The Omega Men I have been quietly excited about this book since it was announced. And I wasn’t disappointed either, the book is interesting, has some nice characterisation and whilst a little generic in places is certainly compelling enough for me to stick around.
// Alfred the great
Tom King writes a wonderfully acerbic Alfred. And there is a lot of warmth in the mockery he dishes out to Bruce, that katana birthday line is absolutely marvelous! Much like the brilliantly lived in feel of the relationship between Bruce and Alfred was literally, literally, the best thing in BvS, I have a feeling that the relationship will be a funny, touching, heart to this series too.
// Gotham-Man & Gotham-Woman, surely?
OK, so we don’t know the background on these characters, let alone their ages, but it struck me as really odd that the dude is called ‘Gotham’, but the woman is called’Gotham Girl‘. Gotham as the name for a suspicious new super hero is cool, but when you pair him with a woman and then default her to Gotham Girl it just comes across as retrograde tackiness. Maybe this’ll be a thing, part of their relationship dynamic or something (at the very least it is an obvious manifestation of the ‘we get the heroes we deserve’ speech from issue 1), but I suspect we’re ultimately looking at traditional and unfortunately gendered comic book naming conventions that ought to be put away now.
// Save that bum, but don’t help that bum
So Batman takes Mr. Gothman to task for failing to stop Solomon Grundy quick enough to prevent injury to a homeless man in the park. As a result Batman stepped in (in a pretty great smoke-covered entrance) to save the bum from trampling. Except then Batman just swings off into the night. Like, he cares enough that a homeless man shouldn’t get crushed to death, but he’ll be damned if he helps that filthy hippy out with some hot soup or a place to stay for the night or a bloody Bat-blanket to keep warm in the park or whatever. This is a common complaint about Batman, but it rarely feels so starkly illustrated as it is here. Thanks for the assist millionaire Batman.
// Batman takes NZT-48
I must admit, as ridiculous as it ended up being the maths-laden-rocket-seat-surf-a-plane action of issue 1 was a real delight. Even though I am sure it makes no physical sense I love the idea that Batman and his team can parse complex maths in seconds in order to create theoretical plans to save a plane and then carry them out perfectly. This is a Batman I can get behind. Batman is awesome. This is one of the smartest people in the DCU using his formidable mind and his perfect body and his iron will to do whatever it takes to save the people of his city. Batman’s willingness to sacrifice himself was perfect. His final words to Alfred were touching and noble. And, and, and, we get to see an action scene in a superhero book that isn’t just people punching one another! Why is this so rare? Especially when the construction of a scene like this can evoke so much tension and excitement through almost every page of the issue.
// Tim Sale Variants
Super picky and personal one this. Although I picked these up for both issues something felt off to me about Sale’s art. The art is a perfectly fine example of Sale’s work, but unfair as this may seem it comes across a as if he was a little bored whilst drawing them. After thinking about it awhile I think it is because whilst the book itself represents this bold new starting point for Batman’s adventures with a nod to the past (much as Rebirth is the same for the entire DCU), Sale’s art feels like it is literally from the past. Either cover could have come from Long Halloween or Dark Victory, neither cover embraces the content of the issue itself. Sure Solomon Grundy is in #2, but not in this sympathetic sewer man way he was depicted in LH. And the issue #1 cover, that depicts Batman’s rogues in something of a pile-on, well that feels like it is purposefully looking back at all these villains of yore rather than looking forward at the new adventures and stories to come. Maybe this is the point, a bit of Tim Sale/Long Halloween nostalgia whilst you bed in the new book, but it just came across as a uncomfortable juxtaposition for me.