Comics // Inchoate Review // Batman Rebirth #1 & #2

Here’s some very quick thoughts on issues 1 & 2 of Tom King’s Batman Rebirth book. I’ve not been a regular bat-reader for quite some time, but after the brilliance of The Omega Men I have been quietly excited about this book since it was announced. And I wasn’t disappointed either, the book is interesting, has some nice characterisation and whilst a little generic in places is certainly compelling enough for me to stick around.

Spoilers follow

batman1var

// Alfred the great

Tom King writes a wonderfully acerbic Alfred. And there is a lot of warmth in the mockery he dishes out to Bruce, that katana birthday line is absolutely marvelous! Much like the brilliantly lived in feel of the relationship between Bruce and Alfred was literally, literally, the best thing in BvS, I have a feeling that the relationship will be a funny, touching, heart to this series too.

// Gotham-Man & Gotham-Woman, surely?

OK, so we don’t know the background on these characters, let alone their ages, but it struck me as really odd that the dude is called ‘Gotham’, but the woman is called’Gotham Girl‘. Gotham as the name for a suspicious new super hero is cool, but when you pair him with a woman and then default her to Gotham Girl it just comes across as retrograde tackiness. Maybe this’ll be a thing, part of their relationship dynamic or something (at the very least it is an obvious manifestation of the ‘we get the heroes we deserve’ speech from issue 1), but I suspect we’re ultimately looking at traditional and unfortunately gendered comic book naming conventions that ought to be put away now.

// Save that bum, but don’t help that bum

So Batman takes Mr. Gothman to task for failing to stop Solomon Grundy quick enough to prevent injury to a homeless man in the park. As a result Batman stepped in (in a pretty great smoke-covered entrance) to save the bum from trampling. Except then Batman just swings off into the night. Like, he cares enough that a homeless man shouldn’t get crushed to death, but he’ll be damned if he helps that filthy hippy out with some hot soup or a place to stay for the night or a bloody Bat-blanket to keep warm in the park or whatever. This is a common complaint about Batman, but it rarely feels so starkly illustrated as it is here. Thanks for the assist millionaire Batman.

// Batman takes NZT-48

I must admit, as ridiculous as it ended up being the maths-laden-rocket-seat-surf-a-plane action of issue 1 was a real delight. Even though I am sure it makes no physical sense I love the idea that Batman and his team can parse complex maths in seconds in order to create theoretical plans to save a plane and then carry them out perfectly. This is a Batman I can get behind. Batman is awesome. This is one of the smartest people in the DCU using his formidable mind and his perfect body and his iron will to do whatever it takes to save the people of his city. Batman’s willingness to sacrifice himself was perfect. His final words to Alfred were touching and noble. And, and, and, we get to see an action scene in a superhero book that isn’t just people punching one another! Why is this so rare? Especially when the construction of a scene like this can evoke so much tension and excitement through almost every page of the issue.

// Tim Sale Variants

Super picky and personal one this. Although I picked these up for both issues something felt off to me about Sale’s art. The art is a perfectly fine example of Sale’s work, but unfair as this may seem it comes across a as if he was a little bored whilst drawing them. After thinking about it awhile I think it is because whilst the book itself represents this bold new starting point for Batman’s adventures with a nod to the past (much as Rebirth is the same for the entire DCU), Sale’s art feels like it is literally from the past. Either cover could have come from Long Halloween or Dark Victory, neither cover embraces the content of the issue itself. Sure Solomon Grundy is in #2, but not in this sympathetic sewer man way he was depicted in LH. And the issue #1 cover, that depicts Batman’s rogues in something of a pile-on, well that feels like it is purposefully looking back at all these villains of yore rather than looking forward at the new adventures and stories to come. Maybe this is the point, a bit of Tim Sale/Long Halloween nostalgia whilst you bed in the new book, but it just came across as a uncomfortable juxtaposition for me.

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Year-End // A Handful of Amazing Things I Discovered in 2015

It’s been a while since we lived in the year 2015 and most ‘best of’ lists have long since been and gone. Alas, given my recent blogging hiatus I hadn’t gotten around to putting together any thoughts on the year. Until now!

The following is a pretty random selection of media that I really enjoyed over the year; there were plenty of other films, comics, and movies that I enjoyed too, but these are the ones that had that little extra personal impact. It’s not ordered by preference, or category, or chronology, and some of it predates 2015 and I just happened to encounter it then. Simply put, all of this stuff left a real impression on me and gave me a lot of pleasure; it’s likely it’ll be with me for a long time.

// The DC Comics of Brendan Fletcher w/ Becky Cloonan, Cameron Stewart, Babs Tarr, Karl Kerschal and Annie Wu

It’s wrong to single out the work of writer Brendan Fletcher alone over his many highly talented collaborators, especially given that it’s impossible to know who contributes what, but the various works Fletcher has been involved in this year managed to do something that few other books have done in almost a decade: get me excited about DC comics again. Batgirl and Gotham Academy have delivered some great characters and moments over the year as have the more recent travails of Black Canary. These are superhero books that have found a way to be refreshing, often through stories that feel like wonderfully spontaneous adventures with a bunch of good friends. At their best these are some of the most fun reads on my pull list.

// The Art of Babs Tarr

Batgirl #37 Pixtagraph (Babs Tarr)

It seems like I’ve spent a lot of 2015 discovering incredible new talent, and the ‘list’ of my favourite artists is markedly different at the end of the year compared to what it was at the start. Chief amongst those changes is probably my quick and all encompassing infatuation with the art of Babs Tarr. Every issue of Batgirl has been an absolute joy to look at and the variant covers and prints that Tarr has produced have all been just as wonderful. Characters look fun, wear modern fashion, and live in a relatable world; these are people I want to be and hang out with, even when they’re fighting tigers or super-villains, or each other. There is a playful and inviting warmth and a contemporary feel to Tarr’s art that captures a welcome shift in the way superhero comics are written and drawn.

// Elementary

Elementary Still 1

Although I am a fan of Holmesian stories I took a pass on this show when I first heard about it due in no small part to my memories of Johnny Lee Miller as Crash Overide in Hackers. My surprise was significant then when I finally did watch the first episode and it was a top notch procedural with a tremendous interpretation of, and performance of, the great detective. The show leans heavily into the drug addiction elements of the Holmes cannon and finds a great deal of compelling pathos in it. The weekly cases can suffer some of the problems typical of procedural shows (the most famous guest actor usually did it, the plots tend to swerve at the same time each episode, etc.), but the ever engaging performances by Miller and Liu, and the character dynamics at the heart of the show keep it very enjoyable throughout. When I finally started watching this show I just couldn’t stop; I ended up watching 3 seasons in about 3 weeks. I even gave dvds of the show as more than one Christmas gift. Plus the New York brownstone set is a place I would love to live in!

// The Steve Jobs Script

'Steve Jobs' film - 2015

The direction was perfunctory and the performances were excellent, but it was the script for Steve Jobs that elevated the film to incredible status. I’ve long been a fan of Sorkin’s work, and for all his problems he can still write dialogue like few others ever have. The fact that the structure of the movie essentially creates 5 ongoing conversations that take turns for 90 minutes means that there is sparkling dialogue everywhere; it is non-stop brilliance, full of smart, funny, piercing, and endlessly quotable lines. There’s a fair argument that it is more of a play than a film,but for me that is absolutely what makes the experience so amazing.

// They’re Not Like Us

They're Not Like Us #3 Panel

I stumbled upon this comic mostly because the striking cover featured the intriguing opening panel of the story, and I am so grateful I picked it up. This book has been the most interesting, compelling, and thrilling ongoing I have read all year – building up from a simple troubled teens with powers origin to a broader, darker rumination on society’s response to a youth culture it does not understand. The slower pace has allowed characters to organically reveal themselves and the sense of paranoia and oppression to really take hold. All the while the tremendous art/colouring from Simon Gane  and Jordie Bellaire has helped to drive the story and provide memorable & innovative demonstrations of superpowers in use. I’ve been lamenting the lack of a good mutant outcast X-book for years, and then secretly this book answered my prayers.

// The Art of Mike Del Mundo

Elektra #11 Panel

Elektra was a book that ultimately felt more like a dramatic rendering of the main characters psyche than a straightforward narrative and that was thanks to the spectacular art by Mike Del Mundo. Del Mundo manages to somehow create art that is both dream like and grittily detailed, and his worlds are both epic and intimate. Every book I’ve read that he has drawn has undoubtedly been elevated by his incredible artwork. It’s also worth noting that the various covers that Del Mundo has worked on have been ingenious and marvelous without exception. I’ve spent endless hours staring deep into Del Mundo’s art; each panel offers a wealth of beauty and detail that reward your attention.

// All New X-Men #37

All-New X-Men #37 Panel

I’ve been quite vocal about my disappointment with the recently concluded X-Men run from Brian Micheal Bendis, but this issue was an exception that genuinely blew me away. Telling an incredibly simple story, Emma Frost takes young Jean Grey on a training mission to Madripoor, this book managed to deliver deeper character, world building, action, and drama than the entirety of the rest of Bendis’ run. Featuring cinematic art from Mike Del Mundo the book has it all: outstanding action, fun moments, funny lines, sharply observed characterisation, and a hidden but palpably warm heart in Emma’s secret devotion to keeping Jean safe. X-Men comics have been in a sorry state for years (and continue to be so), but this issue really shows what you can do when you combine those merry mutants with tremendous art and on point writing.

// Killjoys

Killjoys Team Still 1

This series marked the start of the Syfy channel’s return to making actual sci-fi, and what a return it was. Killjoys is pure fun, a breathless action adventure that follows three good-guy-bounty-hunters as they work on ostensibly unrelated warrants, but it all becomes entwined in both the personal histories of our heroes and the fate of this particular corner of the galaxy. The show puts together a rewarding blend of character- and plot-led drama, comedy, spectacle, and action, all along side some very effective world building. There are plenty of cliche breaking twists and some really smart done-in-one stories, and by the time the season finale rolled around I was entirely hooked by the questions at the heart of the show’s universe and charmed by its likable characters.

// The Age of Adaline

Film Review The Age of Adaline

I’m a bit of a soppy romantic at heart and also a fan of magical-realism-meets-star-crossed-lovers stories (a surprisingly common genre!) so this movie is pretty much made for me. The story and style of the film seem to take their lead from the underated Fincher classic The Curious Case of Benjamin Button, even down to the lighting and framing of many scenes, but the elegance of the execution here ensures that Adaline never comes off as being derivative. Much has been made of Harrison Ford’s return to actual acting with this film, and he is good, but the film’s real secret weapon is Ellen Burstyn how manages to convey a lifetime of love and regret in her scenes with her mother Blake Lively. It also has to be said that Lively herself does an excellent job holding the film, and her performance as the stoic Adaline is full of masterfully delivered small moments of introspection and aching. Although the script could probably have done with a little more oomph at times, this is a beautifully shot, wonderfully acte, modern fairy tale that left me positively aglow with all kinds of emotions by the end. Also the costume design was absolutely on point!

// Master of None

 

Master of None Still 1

Aziz Ansari’s Netflix sitcom took me completely by surprise, both in it suddenly existing at all and in how good it was. I like Ansari from PNR and his live shows, but he can sometimes lose me when he gets deep into a celebrity story or Randy performance. Fortunately Master of None is brilliantly funny and Ansari is an excellent lead. The real strength, though, lies in how it consistently offers a smart, incisive alternative view on ubiquitous sitcom material. The second episode takes time out of the comedy to tell a wonderfully touching story of immigrant family life without ever becoming saccharine, and the way the show positions modern dilemma’s like wanting to spend time with the family that you love but also wanting your own life in a sympathetic relatable way whilst still finding the funny aspects of the situation. Over the 10 episodes there are some touching moments, some profound moments, and many many funny moments.

Comics // Weekly Pull List // 11/11/2015

Here we are again, new comics! It’s a quiet-ish week though with a few books that I possibly/maybe/might pick up.

Captain America: White #4 – So I will definitely be buying this book because it features more lovely Tim Sale artwork, but I must admit to being a little underwhelmed by the series as a whole. Whether it is the result of being on the shelf gathering dust for a few years, or that it so closely resembles other books in the Loeb/Sale Marvel Spectrum series isn’t clear, but for whatever reason I’m just not that excited by anything in this mini-series.

Captain America White #4 Cover

Descender #7 – I’m excited to see this book is back after a brief hiatus. This year has seen plenty of new indie sci-fi books, most of them very good, yet this is probably one of the best (alongside Bitch Planet). It’s an interesting universe, beautifully drawn, and compellingly written.

Descender #7 Cover

Secret Wars #7 – The event to end all events (at least for another year) continues it’s late running story. It really has been a terrific book so far and I’ve no doubt it will be equally strong as we go into the final 3 issues.

Secret Wars #7 Cover

Spider-Gwen #2 – This remains a solid book even if the magic from it’s first few issues seems to have dissipated a little (I’m not sure why that is, maybe because the narrative doesn’t seem to be moving forward very much?)

Spider-Gwen #2 Cover

Thought Bubble 2015 AnthologyThought Bubble is one of the UK’s best sequential art festivals/cons (that I will be attending again this year) and their annual comic book always offers a great selection of artists and writers. Besides the awesome Babs Tarr cover this has a Tim Sale short (as did last years) so I am all in! Also the profits from the book go to charity so what’s not to love!

Thought Bubble Anthology 2015 Cover

Possibles

All-New Wolverine #1 – I want this book to be good; I’m a fan of X-23 and it would be cool to have an exciting new Wolverine on the block. Unfortunately the brief preview that I have seen is chock full of stupidness and bland writing. I’m a sucker for mutant-led books though so it’s a maybe!

All- New Wolverine #1 Cover

DC Bombshells #4 – Marguerite Bennett’s writing is really strong on this book, but some of the art doesn’t sit well with me (purely on grounds of personal taste). When Marguerite Sauvage is drawing it, it is a really great book, but the rest of the time it doesn’t work for me, and this issue looks like it is sans-Sauvage so I probably won’t pick it up.

DC Bombshells #4 Cover

Diesel #3 – I love Tyson Hesse’s art on this book, but the writing is super choppy. The main character is really quite annoying and there isn’t a strong enough narrative core pulling all of the characters/happenings together for it to be compelling. This one will depend on mood – the art could pull me in, but it might not.

Diesel #3 Cover

Comics // Review // Doctor Strange #2

Concise //

Writer Jason Aaron has a fun vision for the good doctor, something akin to a mystical special agent in a dangerously chaotic world, and it is incredibly well served by bottling the characters up in a familiarly unfamiliar place for an entire issue; the sanctum sanctorum. Chris Bachalo is an artist at home creating panels of mad, frenetic action and this issue gives him plenty of opportunities as things go from strange to worse during a magic-maggot hunt throughout the house. This issue is everything I want from a Doctor Strange book; high concept magical nonsense, funny scenes, and unknowable impending mystical doom – a great issue all round.

Doctor Strange #2 Cover

Spoilerful //

Despite the fun concept and some very neat scenes I had plenty of misgivings after issue one of this new Doctor Strange, fortunately this issue manages to avoid the things that disquieted me most (if only through ignoring them rather than correcting them), instead making way for an incredibly fun bottle issue. The creatures that escaped Zelma Stanton, librarian from the Bronx’s mind at the end of last issue have made their way into the corners and crevices of the Sanctum Sanctorum and Doctor Strange is temporarily inexplicably powerless to contain them. So instead Strange and Zelma have to traipse around the house trying to find and kill these ‘mind maggots’ by hand. It’s essentially a super simple plot, but it is fully capitalised on in both the writing and art as every room of the house holds innumerable unknowable terrors and souvenirs that Strange has captured or collected on his way throughout the magical cosmos.

The issue opens with a full page look at the exterior of the Sanctum Sanctorum accompanied by a storied history  across a number of caption boxes. As interesting as the history of the building was it at first seemed strange for there to be so much background up front, but once it became apparent that the issue would almost entirely take place within those four walls it made a lot more sense. Really this issue does a lot of great work to introduce the house as a character in and of itself, and establish Strange’s world; both the immediate (the house in which he lives) and the distant (the magical dimensions that he guards us from). This version of Stephen Strange that I can get behind; a man possessed of incredible esoteric knowledge and bravery, all used in the service of protecting a world that he is from but not of. Strange may have been a regular human once, but the life he leads and the way he leads it ensure that he is not quite a regular human anymore. This issue goes to great lengths to establish that fact: the litany of mystical illnesses that he has, his various dangerous and nightmarish possessions, his tastes in otherworldly cuisine, it all serves to make Strange seem…well, strange. It’s for this reason that the characterisation from last issue that painted Strange as some kind of magical James Bond who sleeps his way through mystical missions doesn’t sit well with me – besides making Strange into a poor Tony Stark stand-in it also makes him seem all too ‘normal’, a word that he should never be associated with.

Elsewhere this issue, it is worth pointing out how consistently funny it is; with none of the heavy handed magic bar banter getting in the way like last issue, the jokes here stem from the bizarre eldritch world that Strange lives in and the blasé normalcy that he has in the face of utterly incomprehensible things. The cat-calling snakes, the Escher stairway, that refrigerator, the fact that after a near death book to the face Zelma finds Strange casually doing some research as if he absent-mindedly forgot to check she was ok. Wong also raises a smile in his first scene with Zelma, when he dryly and efficiently deals with a bunch of mind maggots and the terrors of Stephen Strange’s fridge all the while preparing a light lunch for the doctor. It all makes for a fun trip through a very unusual world and if writer Jason Aaron can achieve this kind of tone going forward then it will ensure this book remains a pleasure to read.

The set up for the wider arc also continues here, but in a far subtler way than last issue’s old father time monologuing about debts yet to be paid and such. For most of this issue Strange’s powers were on the blink for some reason, and the magical safeguards within the house failed to stop the mind-maggots at every turn. Even the presence of those maggots, creatures “never been seen in our dimension in all of recorded magical history” as Wong explains, hints at the darkness from another world that is creeping into the Doctors realm, and the fact that Strange has no answers establishes a chilling sense of danger. similarly the pretty traditional almost warning scene that closes the issue was compelling, as the sorcerer supreme of another dimension arrives to try and tell Strange what is going on. That he doesn’t quite make it was to be expected (and along with his failed attempt to get a message out in last issue’s bonus story gives the impression that this guy is having a very bad day), but it is an effective way to presage the horror that is coming to get our hero.

I am a huge fan of Chris Bachalo’s art and this issue takes full advantage of his style. Bachalo excels in creating brilliantly busy panels that fill the background and foreground with all kinds of eye-catching details but never feel over-crowded, so having Strange and Zelma walking through weird rooms and magic corridors gives plenty of opportunity for inventiveness. The Sanctum Sanctorum is brought fully to life with an array of beautifully realised spaces, just looking at that chaotic living room or hell dimension behind a door gives a real sense of the dangers of the magical world. Wong’s confrontation with the refrigerator and mind maggots is another page that works well as we get a batch of quick panels that almost felt like the comic book equivalent of editing in an Edgar Wright movie.

This issue fulfils everything I was hoping this book could be: it explores the dangerous world of magic, establishes Strange as an almost otherworldly figure who can still have a little fun, and sets the stage for some upcoming epic darkness. The supporting cast of Wong, Zelma, and even the Sanctum Sanctorum are in place and Strange is ready to investigate this rising threat; if the book remains this fun and exciting then we could be in for a great run.

Doctor Strange #2 Panel

Doctor Strange #2 // Writer – Jason Aaron / Pencils & Colours – Chris Bachalo // Marvel

Notes //

– Strange full of mind maggots at the end there looked really super disturbing!

– I like the idea that the house has just rebuilt itself every time it has burned down.

Comics // Review // Batgirl #45

Concise //

This issue lets the plot take a mostly back seat in favour of some intense emotional beats;  Barbara’s best friend Alyssia is about to get married so Babs has to balance being the best ‘best woman’ ever and dealing with a romantic figure from her own past. It is a solid read with some great continuity and lovely moments, but it also continues the recent trend of a somewhat aimless Batgirl. As ever, though, the art is top notch and this issue benefits from some even more gorgeous colouring than usual.

Batgirl #45 Cover

Spoilerful //

Since the end of the opening arc for this new Batgirl run things have felt ever so slightly off. Batgirl #35 started the story of Babs settling into her new surroundings, introducing some new supporting players, and facing off against a mysterious villain operating through hired guns. It was artfully put together – the story was tightly paced and capitalised on a traditional villain-of-the-week structure to keep the action flowing whilst building up that central mystery. Since the conclusion of that story in Batgirl #40 there hasn’t really been much of a driving narrative behind Babs’ adventures; instead the approach has switched to a far more nebulous storytelling structure that is primarily concerned with the soap operatic elements of Barbara’s life. This isn’t in and of itself a bad thing, in fact it is refreshing to see a superhero book spend some more time on the human drama behind the masks, but it has been accompanied by a lack of over-arching story in recent months that has left the momentum of the book stalling a little.

Alyssia’s renewed prominence in the book has been very welcome, and if there has been an arc for the last few issues it is most probably the run up to Alyssia’s nuptials. The wedding scenes offer a number of really lovely moments, and are an important event for comics in general. Alyssia and Jo’s love, and its celebration at their wedding, is treated as any other characters would be, just as it should be. It is great to see the creators genuinely embracing and supporting these characters and providing a welcome representation of non-hetronormative love in such a mature and positive way. The wedding is also easily the strongest part of this issue with some great scenes between most of the character groupings – Alyssia and Babs have a chance to re-affirm their best friends status with some excellent Bab’s as super-maid-of-honour moments, Dinah makes an appearance, and there is some strong work establishing the playful, budding romance between Babs and Luke. It is also worth calling out the page where Alyssia and Jo make their vows as it is absolutely beautiful in art, dialogue, and sentiment.

I often lament the fact that superheroes rarely get to just enjoy the good times (super villains have an annoying habit of gate-crashing weddings, anniversaries, and graduations) so I was really pleased to see that the ’emergency’ this issue was one born of human drama rather than superhuman tomfoolery. Former love Dick Grayson recently returned to Babs’ life after spending his ‘death’ running super secret spy missions for the last few years (there must be something going around – see also Kurt in Black Canary!). Unfortunately the nature of his non-emergency and it’s place in this issue is quite underwhelming – Dick really lives up to his name here. Why he felt the need to drag Babs’ away from both her best friends’ wedding and a date with her new boyfriend for basically no reason at all is beyond me. I appreciate that he is dealing with some tough ‘feels’ right now and is looking to reconnect emotionally with Babara, but his poor timing here just comes across as jealous churlishness rather than charming and soulful.

The flashback to an earlier time is actually a great little moment (I’m especially fond of having the contemporary dialogue come from our heroes’ younger selves) serve as it does to establish the emotional history for Babs, but it felt totally out of place. This issue is all about looking forward, Alyssia and Jo are embarking on a life together, Barbara and Luke are developing their relationship and the presence of Dick, with his melancholic flashback, is designed to demonstrate how Babs’ is letting go of the sad anchors of the past and embracing that forward momentum towards a better life. But this is an inorganic and quite on-the-nose way to bring up those feelings; Dick appears out of nowhere and almost bullies Babs into joining him on a nothing adventure. He comes across as the superhero equivalent of a massive jerk ex who can always charm you to drop what you’re doing and head over to his place in the middle of the night, you know they’ll only hurt you, but you can’t stop yourself. This is presumably the intention of his characterisation in this issue, but I don’t want to read about a Babs who would fall for that trick – she went through a dark spell a few issues back and this behaviour would sit well there, but with everything in her life back on track and especially on a day so important to her best friend it doesn’t ring true to me that she would drop everything and everyone for this guy. Alyssia even calls out Babs’ poor behaviour, “I mean I know she has a habit of leaving abruptly, but I didn’t think she’d do it today“, and I found myself really disliking Barbara’s decision to put a flirtatious romp above her friend (and boyfriend’s) happiness and I don’t think that was the intention. It really felt like the entire Dick Grayson side-show was an excuse to get Babs in the Batgirl costume for a page or two whilst mercilessly hammering home that Babs wants to move on from the past.

But all of this, the goodness of the wedding and the badness of Dick Grayson, doesn’t really speak to the current underlying weakness in the book. Without a strong central plot for this arc there have been a number of brief adventures and a sidelining of elements of the relaunch that had previously been a part of what made it so great. Characters like Nimah and to a lesser extent Qadir have dropped from view, whilst potential love interests like Jeremy and Liam were cast off the moment Luke arrived. It may be that this was always the intention, and that those characters were introduced only as red herrings for the villain reveal at the end of the first arc, but it is still disappointing as it undermines the living breathing Burnside world that set Babs’ stories apart from the rest of the Bat-family. Even Burnside itself, like those other characters, has become a background in the most traditional sense too; the strong sense of place, of Burnside being a different part of Gotham with it’s own denizen’s, heroes, and villains isn’t quite there now. Babs’ school work isn’t part of the story anymore, her relationships with Dinah and Frankie aren’t driving the plot either (Dinah’s absence makes sense given that she has her own book again, but why isn’t Frankie in this more), and she isn’t working towards anything in paricular. Instead we have seen a relatively low-key set of disconnected multi-part stories. Exploring how her father’s regrettable new role as giant-robot-police-Batman and her best friends wedding affect Babara are interesting topics, but without a strong narrative structure that ties them into Babs day to day life they haven’t been as compelling as perhaps they could have been.

Even visually the book has set aside some of it’s great hallmarks – those wonderful page layouts from early in the book where Babs’ remembers and pieces together clues and panels that integrated modern technology into Babs’ world (text messages, emails, playlists, etc.) have been featured far less frequently. None of this is fatal, and the book is still a good read each month, but it definitely feels like the strong artistic and narrative vision which propelled the first arc has been on a lower setting recently. If this issue came at the end of a breathless arc then it would be a very refreshing chance to catch a breathe and join the characters revealing in the emotional climax of Alyssia and Jo’s wedding. Coming as it does after a number of relatively slow, relatively low stakes, and essentially disconnected stories, the impact of the slow down is lost a little to the point of almost stalling.

This is very much still a fun comic to read and my misgivings with the general pace and feel of the recent storytelling shouldn’t be taken as an argument not to read it. Babs Tarr’s art remains absolutely delightful on every page and Stewart & Fletcher are still writing some engaging, witty dialogue (that bow tie conversation is really quite charming), but it’d be disingenuous not to call out the shift in pace that the book has undergone recently. Even if some of that early magic has dissipated, everything still exists in this book to make it truly great once again; this creative team is incredibly strong and the world they have crafted has the potential for more amazing comic books. I have great hope and no doubt that they will recapture what made this book so good.

Batgirl #45 Panel 1

Batgirl #45 // Writers – / Artist – Babs Tarr / Colourist – Serge Lapointe // DC

Notes //

– Serge Lapointe is on amazing form this issue, with beautiful colouring in every panel. The various hues of pink give the issue a distinct feeling of the romantic backdrop, but Lapointe isn’t afraid to throw in bold colour changes to add drama and impact (the opening page Babs’ to the rescue panels, for instance, do a great job reminding of Batgirl in action – a choice that immediately raises the stakes of every small crisis).

– It’s a great touch having Dinah and her band Black Canary playing the wedding and singing some 80’s power ballads! It’s cool to see a Babs Tarr version of Lord Byron, Ditto, and Paloma too.

– What with the questionable cameo of Red Robin in Gotham Academy #11 as well as Grayson here I’m beginning to wonder if there is an editorial mandate to shoe horn unnecessary appearances into books as part of a miss-judged cross-promotional campaign. (I appreciate that this is a staple of superhero books but it rarely feels as forced as it has in recent DC books)